Monday, 14 December 2009
MOCK UP - FEATURE ARTICLE
Tuesday, 8 December 2009
Various bhangra artists
this is a video of some bhangra artists performing.
i think it stereotypically shows the "bhangramuffin".
i also think after watching a couple of bhangra music videos myself that the main audience of bhangra music IS the Bhangramuffin.
imran khan - bewafaa
another example of bhangra music. it can vary from upbeat and lively to very slow and emotional, but the main cause of that is the meaning of the song if people can understand it.
IMRAN KHAN- UNFORGETTABLE ALBUM ADVERTISING
imran khan advertising his new album "unforgettable".
thought it would be good to put it on because he's advertising his new album.
Examples of bhangra
difference between bollywood and bhangra
http://www.youtube.com/watch?v=2W7c2L_JYy8&feature=related=
This is a very well known song in the bhangra music world.
As you can probably pick out, modern bhangra and bollywood are 2 totally different things, modern bhangra originates in the UK, while bollywood HQ is in India.
Sunday, 6 December 2009
BHANGRA MAGAZINE RESEARCH 1

It would also be aimed at mainly males because bhangra music is sterotypically aimed and pictured as being male dominant.
Feedback - 6/12/09
Research:
- Which publisher will publish your magazine? Look at ones that publish similar magazines (Institution) Link to the website etc...
- circulation ( audience figures) for music magazines?
Planning ( see the 'Before you Blog' handout - last 2 pages)
Remember to define and explain what kind of music magazine you are going to make - do some research into Bhangra music/artists etc... pop some videos on your blog
Include..
- Moodboards
-mock ups of pages
-location shots
-props/costume list
- rough draft of feature article etc...
Thursday, 3 December 2009
AUDIENCE- MASLOWS HIERARCHY OF NEED

Using maslows hierarchy of need, i can find out that my target audience will have the aspects of:
AUDIENCE- PSYCHOGRAPHIC PROFILING
GRASS (Demographic Profiling) Target Audience
HISTORY OF BHANGARMUFFINS- taken from uktribes.com
Bhangra Muffins take their name from the Jamaican-inspired raggamuffins, a word whose etymology suggests the old English word ‘ragamuffin’ for shabbily-clothed, dirty child – perhaps the polar opposite of the look both raga and Bhangra Muffins aim for. Many similarities can be drawn between the two cultures. Both share an obsession with materialism, particularly visible status symbols like watches, jewellery, trainers, cars and designer clothes. They strive to project a can-do persona to make anybody think twice about disrespecting them – verbally or physically. The whimsical Bhangra Muffin (long gelled hair, neon yellow Moschino drainpipes, incorrect use of patois) that roamed the street in the late 90s is fading into obscurity, if indeed they ever truly existed outside of style magazines.
…but dual identities
Sliding between mainstream street culture and their own Asian street culture, Bhangra Muffins are creating dual identities – subtly altering slang, jewellery motifs and musical references, depending on where they are and who they are mixing with. Driving through non-Asian areas they blast UK garage, US gangster rap and ragga – only switching the CD changer to Desi Beats Part 2 as they near predominantly Asian populated areas.
The future
As Asian youths become an accepted part of British street life – particularly with such a growing demographic of mixed-race youth – Bhangra Muffins will become less distinct from their black and white contemporaries. However, they’ll become and increasingly everyday force in British culture. Over the past five years bhangra samples have become a standard part of hip hop and dancehall. The music and culture that feeds the bhangramuffin will continue to be absorbed and appropriated by the tribes closest to it – and eventually into the mainstream, just as black Britons have found their culture absorbed by the mainstream (listen to the elongated vowels and slang of Britain’s playgrounds for proof of that). The Bhangra Muffin is aware, however, that’s where, for the time being, their influence in mainstream street music ends. Instead their scene incorporates ever-increasing amounts of outside influences from the garage, drum’n’bass, hip hop, R’n’B and dancehall scenes and this is likely to continue.
Tuesday, 1 December 2009
MUSIC MAGAZINE CONVENTIONS
Preliminary task -

Sunday, 29 November 2009
Feedback 23/11/09
- Who is the target audience (GRASS) and how have they been made to appeal to them?
- Do they successfully make the audience want to read on? ( Cover and contents?)
- why do they work?
In research you need a little more on audience - who is you target audience (Demographic - GRASS and psychographic profiling - Young and Rubicon) Also how will your product appeal to its audience - use MAslow too.
Thursday, 26 November 2009
GENRE
ANALYSIS of prelim. task
preliminary task- cover
Tuesday, 24 November 2009
research -1

